The ongoing trials and tribulations of a lowly stained glass store owner
Diary of a Demented Store Owner
Sunday, 28 April 2013
We Don't Mean To Brag But...
... actually, yes, on second thought, we do.
Hollander Glass has failed and gone into bankruptcy (yes, I do take a certain pleasure in repeatedly pointing that out given how horrible it has been for all of us while they were around under the last owner.
Looking for something? In tools?
We've got groziers and lead dykes, running pliers, over 400 glass cutters, soldering irons from several manufacturers, iron stands, grinder heads in all sizes including the new and popular 3/8" heads (bigger than 1/4" and smaller than 3/4" for the size challenged), strip and circle cutters, lens cutters, l-squares, Morton Tools, mosaic cutters, lathekins, fids, and on and on...
Here's a picture of our Tool Wall...
Saturday, 27 April 2013
Copper Foil
We don't really feel comfortable bragging so we won't.
Ah, the heck with it. Sure we're going to brag.
Just a bit...
Not only do we have every possible size and colour in stock, we even have it all from four manufacturers- from the best (Edco) to the worst (Dragon)...
Friday, 26 April 2013
Happy Dancing All Around
So Hollander Glass Glass is no more (Mikey seems to get an unnaturally gleeful charge out of saying that...Vanna Opal).
We continue to move forward unabated.
Picholas empties enough glass crates to make himself a nice little dance floor and proceeds to do his rendition of the Happy dance...
We continue to move forward unabated.
Picholas empties enough glass crates to make himself a nice little dance floor and proceeds to do his rendition of the Happy dance...
Thursday, 25 April 2013
Another Delivery Arrives
Hollander Glass is bankrupt.
I know, I shouldn't gloat.
Mom always said that we shouldn't dwell on another person's misfortune...
Ah, the heck with it. Let's revell in it, eh?!
Happy Dances for everyone in the glass business today!

The last owner (there were really only two, with the founders- The Dick Family being the one's that built this industry from nothing) was incredibly damaging (lawyer says add 'in my opinion'... Vanna Opal reminds Mikey), raising prices, taking advantage of currency fluctuations, reducing selection, I could go on and on.
Suffice it to say- we are definitely better off today now that they are gone.

Now, we were never beholden to this one now failed, bankrupt supplier (he just loves to dwell on that doesn't he?... Vanna Opal) having always brought in truck shipments from the U.S.And today is one of those days-
Now in- Spectrum, Kokomo, Uroboros, Youghiogheny glass, even GNA, fusible glass and sundries including all the newest colours, chemicals (triolyse glue- larger size and some without the optional fixative), bottle cutters, Yogi ends, and the absolute WORLD'S BEST GLASS CUTTER!!!
Deep Thought From Gary Amber
If I lived back in the wild west days, instead of carrying a six-shooter in my holster, I'd carry a soldering iron. That way, if some smart-alec cowboy said something like "Hey, look. He's carrying a soldering iron!" and started laughing, and everybody else started laughing, I could say, "That's right, it's a soldering iron. The soldering iron of justice." Then everybody would get real quiet and ashamed, because they had made fun of the soldering iron of justice.
Tuesday, 23 April 2013
Saturday, 20 April 2013
Rolling Along Part 2
Mikey continues his Happy Dance as we fill you in on the effect (little) of the failure of Hollander Glass. A company that had used us all up and has now left the building.We have five shipments pending from several American suppliers with a medium sized shipment pending in the next two weeks containing;
- over 1600 sale squares
- over 1200 square feet of Sys96 fusible glass (Spectrum and Uroboros) including their new SP533.2 Blue Topaz and SP230.71 Hydrangea Opal! (no Bullseye Glass as you can buy it direct)
- Youghiogheny Ends to complement our Uroboros Ends (and Vanna Opals End... Lecherous Mike)
- GNA Clear Drawn Antique (stunning)
- over 1000 square feet of Spectrum Clears, opals, and cathedrals
- Gluchip, Kokomo, Youghiogheny Stipples and Uroboros glass
- glass cutters from Toyo, Morton Tools, black jack chain, copper foil (all sizes and colours)
- Zinc came, lead came
- triolyse glue, CJ's Cleaner, grinder coolant, various patinas, cement for lead came and all manner of other chemicals
- vase caps in all sizes
So...
Just in last week- glass cutters, grinders, bandsaws and diamond blades, all manner of hand tools (groziers, fids, dykes, running pliers, mosaic pliers, fids and lathekins), frit makers and sorters, irons and iron stands, medium silver bails, grinder heads and drill bits...
Friday, 19 April 2013
Last Night's Beginner Class
Look, most of them passed too!
Party food not an indication of the hard work that goes on in these classes...
Party food not an indication of the hard work that goes on in these classes...
Once Again, The Missus Dispels the Myth About Size...
The most popular accessory head is the 1/4".
The soon-to-be most popular accessory head will be the new 3/8" head.
While the 1/4" head is fine, it's almost too small, and because of the narrower diameter it has less surface and will not grind as quickly as a larger head.
So, if you tell Vanna Opal that size does matter, we'll knock $10/off a set until May 15!
Monday, 15 April 2013
A Bit of a Contest
Zenia and Mikey did a series of fused platters and plates (hence the pic here to the left- she's so happy when she gets to play with power tools... Vanna Opal), based on Dr. Seuss. It's now Mikey's turn to pick the topic and he chose The Beatles' Yellow Submarine. Below are two colour copies of projects on the go. Guess the colours we chose that match these pictures, by May 3rd, and the first person on each one will get $25 store credit just because...
Thursday, 11 April 2013
Rolling Along
The closing of Hollander Glass has had virtually no effect on us glad to say. Yes, we did buy some glass and supplies from them, but at a lessening rate once the founder Bill Dick and Family sold to the present and now failed owner. The only downside is that if we fall out of stock on an item now we might have to wait a month or two. Hey, wait a minute, never mind, that was happening anyway when Hollander was still in business!
Oh well. But of course there's always the price saving from buying locally from Hollander, right? Nope. We bring in glass at an average saving of about 20% over what we would pay at Hollander.
Ok. Well then for sure it's got to be the selection, right? Uh, maybe not. Hollander dropped all Bullseye (fusible and not- try Bullseye Direct now), Oceana, most gluchips, French MNA, German GNA (no problem, the very popular Clear we have in stock... Vanna), Edco Copper Foil, and had virtually no inventory of Kokomo and Youghiogheny, Glastar grinders and tools, Inland grinders and not one single piece of Swiss Cheesed Glass (oops, they never had the rights to carry that line anyway as it has always been exclusive to Fantasy In Glass... Hellful Vanna).
So, Hollander Glass Canada is no more. It might rise from the ashes like a phoenix, under new ownership one day, but the current regime has used us all up and has left the building.Mikey and Figimodo continue to do the Happy Dance...
Tuesday, 9 April 2013
It’s Not Us,Really. It’s Them
... guess our regular Wednesday delivery won’t be coming...
Just received the following email today from our one and only Canadian Stained Glass Supplier-
Dear Valued Client,
The Great Recession has finally caught up to us, and we are going to have to close our doors indefinitely before we re-open under new ownership. Your business is very important to us, and we will be in touch with you again upon re-opening.
Yours sincerely,
The Team at Hollander Glass Canada
Huge news! For anyone even casually involved in stained and fused glass.
We’ve been very alone and very outspoken about the new owners (10 years on) of our one and only Canadian stained glass supplier (hereon referred to as OOCSGS) and their effect on our industry, one that Mikey (and his peers) saw as extremely negative. So, let’s take a look at this a little closer and see what this means to our chosen artform...
The questions that immediately come to mind are;
1) Is this a bad thing?
2) How will this affect resellers of supplies?
3) How about those in the business making finished goods?
4) How will this affect you, our customer in getting supplies?
So, let’s take them one by one;
1) A bad thing?
Absolutely not.
Actually to the contrary.
Mikey continues to do the Happy Dance in celebration!
Why?
Well, for the past decade most of us have been largely dependent upon this one wholesaler, who alone ran roughshod over the industry. OOCSGS was able to do as they pleased after having bought the competition (he actually said "This is particularly exciting because of the benefits it brings to the industry").
And then with this monopoly, he proceeded to do what he felt was good for business. His or ours I can't say as litigious lawyers restrict me from saying, but read the inference. Where we once had two suppliers run by businessmen who started out as artisans, we now had one who had no awareness of, or inclination to learn about glass. Selection steadily decreased as prices substantially increased (it got so bad that we could buy supplies at retail from the U.S. cheaper than from OOCSGS at wholesale). Stock outages were consistently large in quantity and long on time. Ownership seemed totally detached and disinterested in those who provided him with his livelihood. No effort was made to meet with and learn to understand his customers (oops- he did meet me once in ten years).
OOSCS ownership blames ‘The Great Recession’ as the cause of their failure?
I disagree.
Anyone that looks to the long term, offers good value, is sincere in their wish to offer support and provides selection and pricing that allows a reasonable return will always succeed.
OOCSGS only took from the industry and did nothing to grow it. We ordered from a catalogue that came from the previous owner, meaning their primary selling tool was one that was over a decade old. It was sheer guesswork trying to figure out what was still available and what might be new. We had no current and accurate pricelists, often having to wait until our invoices arrived to see what things actually cost. Even visiting the warehouse, the labels on the racks were from 15 years ago. Ah but we could always go to their website perhaps (another great selling tool)? Well, I guess, if you want to take a class that might have happened over a year ago, or find out what new products just came out in 2009. Sales flyers came late, were out-of-date, had no pretty pictures 'cuzz Mikey likes pictures...
We have a whole new generation of customers coming in that have no idea what Full Antiques are, or Ring Mottles, or what oleic acid is used for, or what’s a Worden Lamp kit all about, or even how wonderful Swiss Cheesed Glass is (still exclusive to FIG Inc)...
2) What about the retailer? While all this is significant and hurtful to the entire stained glass market, it is more so for the small retailer. This is very evident from the number of those that have closed in the past few years. The largest expense we face is carrying costs on inventory. For some of us that can be quite sizable, but necessary, allowing us to still operate successfully. Smaller stores who are unable to carry sufficient inventory suffer greatly when OOCSGS is out of stock. What’s a retailer to do if they have no glass cutters when a new class begins?
3) What about those who make their livelihood from glass? The artisan too will suffer. While they were never a large consumer of goods, they were the lifeblood of our industry, keeping our artform in the public eye, continually educating and generating new found interest in those exposed to it, bringing more traffic to retailers to take classes, who then become customers, and heaven forbid, actually might have become customers of OOCSGS.
4) What does this mean for you? We have always maintained a substantial inventory in size and selection, and will continue to do so. We have always bought supplies from other sources as we understood the danger of being beholden to one supplier (good or bad) and will continue to do so. Stock outages of course might be more problematic and there could be delays, but we will manage. It is the smaller retailers that will have difficulty surviving. They are less able to make sizable purchases that make bringing in truckloads of goods from the U.S. feasible.
So to conclude, in my opinion, it is a good thing that OOCSGS has closed (perhaps reopening another day under different ownership) as the present ownership’s only success was to decimate this industry over the past decade. I feel for those who now are out of a job- many like S, S, G, J, M and M, some who have close to a quarter century invested in OOCSGS. I also fear for the fallout across Canada to all those retailers, artists and craftspeople who will have a greater difficulty in securing inventory, building beautiful pieces and inspiring another generation to pick up this artform we have found so rewarding.
We miss you Bill Dick.
More to come- I have much more to share.
And, oh yeah, in case you were wondering, sure as hell, we aren’t going anywhere!
Texture
A very common question we get is 'What happens to a textured glass when you fuse it?'.
Of course if you take the glass to a temperature high enough to melt, then whatever texture was on the surface would just melt out as well. Picture a chocolate bar with its embossed surface out on the sidewalk in the mid-day summer sun. It ends up as a rather obscene looking thing (sorry for that image that will now haunt you the rest of the day... Zenia).
So why even have textures you wonder?
Well, as in this plate below, we filled the crevices in the Spectrum Cord texture with powders to create those interesting lines when fused flat-
Another thing you might consider is fusing a textured glass with the texture down. This way the glass will still fuse flat removing any surface texture, but the texture 'memory' will remain.
This picture shows the politically incorrect and ugly mold that Slumpy inadvertently shipped to us and then were nice enough to not charge us for it. The glass is a Spectrum Opalart with a Clear Cord for a cap-
Of course if you take the glass to a temperature high enough to melt, then whatever texture was on the surface would just melt out as well. Picture a chocolate bar with its embossed surface out on the sidewalk in the mid-day summer sun. It ends up as a rather obscene looking thing (sorry for that image that will now haunt you the rest of the day... Zenia).
So why even have textures you wonder?
Well, as in this plate below, we filled the crevices in the Spectrum Cord texture with powders to create those interesting lines when fused flat-
This picture shows the politically incorrect and ugly mold that Slumpy inadvertently shipped to us and then were nice enough to not charge us for it. The glass is a Spectrum Opalart with a Clear Cord for a cap-
After fusing we see that the texture is smooth but the memory of the Cord remains. We also see that as the Opalart also has some surface texture we get some interesting bubble patterns-
Saturday, 6 April 2013
Man Doing Stained Glass Has No Time Time To Read Comics
HIGH PARK, ON—Despite his great love of literature, stained glass hobbyist, Jimmy Scrouball laments he doesn’t have time to read. The 50-year-old High Park resident was interviewed Monday in his basement and reported “Sure,” said Scrouball, “ I’d love to curl up with a good Green Lantern adventure a lot more often,” as he copper foiled another piece of Kokomo #123 copper blue opal and soldered it into place in his 967th nite lite this month. “but, unfortunately, between work and washing my hands incessantly there just isn’t much time.” Scrouball then flipped over his 968th nitelite (a lovely, colourful, yet subdued teddy bear nitelite) and proceeded to solder the other side...Thursday, 4 April 2013
New Stuff and Other Things
With the industry abuzz with rumours of the sale of one of our major Canadian suppliers, Picholas catches Mikey dancing the Happy Dance with hopes that finally now things can only get better (they couldn't be any worse I tell ya'- walking through their warehouse the other day makes me fearful if there is no change). In any case, while the cupboard is literally bare, there was a brief flurry of activity with a recently arrived Uroboros order being unpacked. So here's what's newest from one of our favourite manufacturers-
Three New System 96 Sheet Glass Colours (good for fusing and stained glass)
You've asked for them, and here they are: Two new blue-gray opals and Apple-Jade Opal in 3mm! These classic colours add depth and complexity to the System 96 opal palette.
60-079-96 Chambray Opal
60-726-96 Apple Jade Opal
New System 96 "Metallic" Frits
For the first time anywhere, this new product provides the precious metal shimmer of Uroboros' popular Sheet Glass Gold and Silver Irids in a Frit form. It's quite a different look from their Rainbow Irid Frit. Metallic Frit looks best layered over dark colors or Black. Shown here is Medium Metallic Clear frit over black.
F3-00-96 MIR Medium Clear Metallic
F5-00-96 MIR Coarse Clear Metallic
F7-00-96 MIR Mosaic Clear Metallic
Monday, 1 April 2013
Paid Advertisement
Check Your Glass For Holes!
If you're looking for great cutting glass, we suggest you look on the back side of your glass. For holes the size of a dime.
Or a 15mm jewel.
Lots of them.
Because glass that has these holes is a full three decibels louder when being cut.
Which may not sound like much.
But an increase of three decibels will double the cutability of your glass cutter at its tuning frequency (30 hertz). And reduce what's known as 'cutter wheel excursion'. With this added tractibility your glass cutter requires less pressure to generate force to the glass.
Of course, with this remarkable glass, there's one thing you'll miss- frustration. Simply, Swiss Cheesed GlassWerks' cathedral glass is unmatched in ease of cutability when compared to glass without holes. It cuts with less pressure and therefore poses less stress on your cutter wheel and therefore your hand.
Now remember, this is a science, so there's more here than just drilling holes. Swiss Cheesed GlassWerks' engineers fine tune each sheet of glass for optimum performance and efficient cutability. All of which means that if your glass doesn't have holes you might want to talk to a Swiss Cheesed GlassWerks dealer.
And get the hole truth!
Available exclusively at Fantasy In Glass Glassworks, Canada's first and still only officially sanctioned stained glass emporium!
(SwissCheesed GlassWerks is the official defacto holder of the naming rights to the Fantasy In Glass building)
Sunday, 31 March 2013
April Sale!
(doesn't appear, try a screen refresh...)
Thursday, 28 March 2013
Next Intro to Fusing Seminar...
Happens on Saturday April 6 from 10am- 4pm.
Learn how to make really cool stuff like the Dr. Seuss, Yellow Sub and Pink Floyd projects as seen on our Facebook Page.
Class runs for six hours, costs only $195.00 and covers instruction (we even teach the technical side so you can fire on your own), a $40 store credit and ALL FIRINGS for whatever you make that day. We even throw in some handouts and some really pretty pictures!
Learn how to make really cool stuff like the Dr. Seuss, Yellow Sub and Pink Floyd projects as seen on our Facebook Page.
Class runs for six hours, costs only $195.00 and covers instruction (we even teach the technical side so you can fire on your own), a $40 store credit and ALL FIRINGS for whatever you make that day. We even throw in some handouts and some really pretty pictures!
Monday, 25 March 2013
Two Experiments
Seems Mikey wasn't happy with his iPod dock, and wanted to build one more suitable to his warped thinking. It also gave us a chance to do a piece about 1.5" thick that needed several firings to execute properly.
We first laid up a base of alternating colours eight layers thick to represent the wooden plinth of a turntable and fused it into a solid block in a stainless steel dam (lined with fibre blanket). Because of the thickness, we fired very slowly to make sure the differential in temperature was minimized to prevent thermal shock. In this case it was 200 degrees/hour to 1100, with a 20 minute hold. We then fired to 1460, with a 15 minute hold, finishing off with a crash cool down to 970 with a hold of 120 minutes.
The top cap that consisted of the turntable platter, arm and controls was then added to the prefired base and refired, this time to a temp of 1430 to allow for a bit more of a 3D effect, rather than fusing it to flat. Here's the finished result-
Next, because we had this piece in a steel dam with fibre blanket lining the perimeter we ended up with a rough edge that really doesn't look as attractive as it could. It also looked a little too 'rigid' for our liking. We were looking for a more 'play-doey' kind of look, so back into the kiln it went for a hopefully successful fire polish.
Once again, because the finished piece is about 1.5" thick we have to fire up slowly, and make sure to include a longer anneal soak time so take note of the notes above.
The danger of this firing is that we fire too low and all is for naught (?) or we go too high and end up with a puddle. Taking an educated guess, we shot for 1350, with no hold and got lucky-
iPod broken in by the Infamous Figimodo, playing his favourite band- Little Axe!
We first laid up a base of alternating colours eight layers thick to represent the wooden plinth of a turntable and fused it into a solid block in a stainless steel dam (lined with fibre blanket). Because of the thickness, we fired very slowly to make sure the differential in temperature was minimized to prevent thermal shock. In this case it was 200 degrees/hour to 1100, with a 20 minute hold. We then fired to 1460, with a 15 minute hold, finishing off with a crash cool down to 970 with a hold of 120 minutes.
The top cap that consisted of the turntable platter, arm and controls was then added to the prefired base and refired, this time to a temp of 1430 to allow for a bit more of a 3D effect, rather than fusing it to flat. Here's the finished result-
Next, because we had this piece in a steel dam with fibre blanket lining the perimeter we ended up with a rough edge that really doesn't look as attractive as it could. It also looked a little too 'rigid' for our liking. We were looking for a more 'play-doey' kind of look, so back into the kiln it went for a hopefully successful fire polish.
Once again, because the finished piece is about 1.5" thick we have to fire up slowly, and make sure to include a longer anneal soak time so take note of the notes above.
The danger of this firing is that we fire too low and all is for naught (?) or we go too high and end up with a puddle. Taking an educated guess, we shot for 1350, with no hold and got lucky-
iPod broken in by the Infamous Figimodo, playing his favourite band- Little Axe!
Saturday, 23 March 2013
Just a Quick Note
If you are or have been a student of ours, or you have taken advantage of our FREE STUDIO SPACE ALWAYS, then as Neil would say, 'this note's for you'!
Thursday, 21 March 2013
Just Genius!
We do have some of the cleverest students.
It can be very frustrating sometimes when working on a piece to try and see how it's progressing colour wise, and yet still hold everything in place as you cut, grind and solder into place.
Sheila has come up with a brilliant solution- get a piece of clear plexiglass (easily gotten at Home Depot, etc) and cover it with that sticky white grid cloth that is used to repair drywall (ditto).
Bingo! The sticky grid holds the glass perfectly in position and sticks it all to the clear substrate to make it ideal for viewing on a lightbox, etc.
It can be very frustrating sometimes when working on a piece to try and see how it's progressing colour wise, and yet still hold everything in place as you cut, grind and solder into place.
Sheila has come up with a brilliant solution- get a piece of clear plexiglass (easily gotten at Home Depot, etc) and cover it with that sticky white grid cloth that is used to repair drywall (ditto).
Bingo! The sticky grid holds the glass perfectly in position and sticks it all to the clear substrate to make it ideal for viewing on a lightbox, etc.
Sunday, 17 March 2013
Figimodo Tries His Hand at Fusing
First attempt was a big (small?) failure. But perhaps the perfect size if you're Figimodo?
Moving on, we get Vanna Opal in to help out (strange that she would step up to the plate on this one- she usually shrinks everything... Mikey). Here's the two piece sushi set that is on sale this month done in a clever pattern-
Thursday, 14 March 2013
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He didn’t buy the FIGFANS (Fantasy In Glass Foiler that Avoids Neck Strain) and now he’s sorry.
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Another quality product from FlG Tools, a humble and penitent division of FIG Inc.
Don’t end up like this person.
He didn’t buy the FIGFANS (Fantasy In Glass Foiler that Avoids Neck Strain) and now he’s sorry.
At FIG Tools Inc., we build tools that combine Zen-like coherency with economy and practicality.
Enter the FIGFANS, the world's best copper foil applicator. Packed with a host of proprietary technologies that truly enhances the foiling process, the FIGFANS has been intensively designed and extensively field tested to assure effectiveness and ideal ergonomics, and to avoid malicious lawsuits.
The FIGFANS is another in a long line of proprietary quality products from FIG Tools that began several years ago with the introduction of the FIG GlasStretcher.
But don’t believe us.
Try it for yourself.
After all, when you consider the alternative, we thought we’d spare you the headache.
Another quality product from FlG Tools, a humble and penitent division of FIG Inc.
Wednesday, 13 March 2013
The whole world seems to be mesmerized with the colour of smoke that will be released from the Vatican chimney as the Catholic Church votes for a new Pope. The College of Cardinals however, seem to be having a problem getting the right colour. Black means no Pope yet, while white signifies that a new Pope has been chosen. We learn this has been somewhat problematic as they have been getting grey sometimes. The Papal authorities upon investigation discovered that the College of Cardinals had been using a Paragoni Kiln. But with the world's attention zeroed in on the chimney smoke, no mistakes can be allowed so Vatican officials have since ordered one of the new Coneart Kilns now specially being made for Mikey at Fantasy In Glass.
The Cardinals had initially considered the FiGGy 120v Square kiln with an interior dimension of 15.5" x 15.5", but realized that with 117 ballots being cast that the FiGGy BiGGy 240v Square Kiln with an interior at almost 24" square would be a better choice. Rumours that the kiln was serving a dual purpose baking pizza between votes has not yet been confirmed...
And yes, we now have these two 'SQUARE' kilns in stock!
Sunday, 10 March 2013
Continuing Warm Glass
So, here's a very shallow slump, which is fairly easy whatever program you might follow. But most firing schedules will get the glass too soft as they are designed to give success regardless of the mold's shape. Ideally you want to minimize the glass picking up texture from the mold, yet get it soft enough to conform to that mold's shape. The Slumpy #297 has such a subtle shape that we can do a 'cooler' slump. You see, there are two general ways to slump; one is to go higher in temperature with a short hold, or go for a lower temperature with a longer hold. The second approach will minimize the picking up of texture, yet allows the glass to do a nice slump.
So, this is a single thickness SP Black Aventurine capped with a double thick (4-5 mm) SP100 Clear (Mikey added some silver foil circles in between the two layers 'cuzz he's a showoff)-
1- 300/hr to 1050, hold 5 min.
2- 400/hr to 1215, hold 15 min.
Too easy...
Wednesday, 6 March 2013
Yes, We Are Social Media Savvy
We've had a Facebook presence for a couple of years now.
Not just Mikey's Diary of a Demented Store Owner blog (as if that wasn't enough already... Vanna Opal)
And as for Facebook, when I say we, I mean both Fantasy In Glass and Figimodo.
Join us on Facebook and "Like us" to make our blog entries, product announcements, and industry tidbits part of your Facebook newsfeed.
And then we've also been on Twitter (@fantasyinglass) for awhile. This is the spot where staff will post great and special sales you won't hear about anywhere else!
And of course, we're also onYouTube.
Logos below will link you directly to those spots-
Logos below will link you directly to those spots-
... and for iPhone and Android smartphone users, we are on Instagram- under Figimodo Fantasyinglass-
Friday, 1 March 2013
FANTASY IN GLASS ACCUSES UROBOROS GLASS OF COPYRIGHT INFRINGEMENT FOR USE OF THE WORD 'GLASS'
Toronto, CANADA- Fantasy In Glass Owner Mikey filed suit in federal Supreme Court in Ottawa today accusing the Uroboros Glass Company of copyright infringement for widely using the word 'Glass' in the title and marketing of their products. FIG claims de facto exclusive legal use of the word. "We have established the strongest brand name in the history of modern civilization. Whenever someone sees the word 'Glass' they immediately think it should be preceded by the words 'Fantasy In' so we want to avoid any confusion amongst consumers", said company owner Mikey.
Attorneys for Uroboros had attempted to dispute the suit as 'frivolous' and weak efforts to placate the staff of Fantasy In Glass with Uroboros T-shirts and aprons have proved to be unsuccessful.
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